{"id":422,"date":"2021-12-17T14:51:08","date_gmt":"2021-12-17T13:51:08","guid":{"rendered":"https:\/\/sitedev.it\/matteo\/repertorio\/"},"modified":"2022-02-20T19:53:11","modified_gmt":"2022-02-20T18:53:11","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/www.matteo-bevilacqua.it\/en\/repertorio\/","title":{"rendered":"Repertoire"},"content":{"rendered":"<div id=\"accordion-block_62026bd8595c3\" class=\"block-accordion row\">\n    <h2 id=\"headingaccordion-block_62026bd8595c3\">\n      <button class=\"button-accordion collapsed\" type=\"button\" data-target=\"#collapseaccordion-block_62026bd8595c3\">\n\t  Piano Concertos      <\/button>\n    <\/h2>\n    <div id=\"collapseaccordion-block_62026bd8595c3\" class=\"collapse content-collapse\">\n\t\t<div class=\"innerBlock\"><div class=\"acf-innerblocks-container\">\n\n<p class=\"wp-block-paragraph\"><strong>Debussy<\/strong><br>Fantasie for piano and orchestra L 72<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Faur\u00e8<\/strong><br>Faur\u00e8 Fantasie for piano and orchestra op. 111<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Grieg<\/strong><br>Piano Concerto op. 16<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mozart<\/strong><br>K 488<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rachmaninov<\/strong><br>Piano Concerto n. 2<\/p>\n\n<\/div><\/div>\n    <\/div>\n\n\n<\/div>\n\n\t\t\n\n<div id=\"accordion-block_62026c1d0e554\" class=\"block-accordion row\">\n    <h2 id=\"headingaccordion-block_62026c1d0e554\">\n      <button class=\"button-accordion collapsed\" type=\"button\" data-target=\"#collapseaccordion-block_62026c1d0e554\">\n\t  Piano Solo      <\/button>\n    <\/h2>\n    <div id=\"collapseaccordion-block_62026c1d0e554\" class=\"collapse content-collapse\">\n\t\t<div class=\"innerBlock\"><div class=\"acf-innerblocks-container\">\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Adams<\/strong><br>China gates<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Albeniz&nbsp;<\/strong><br>Selection from \u201cIberia\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bach<\/strong><br>8 Preludes and fugues from the Well tempered Harpsichord<br>2 English Suites<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beethoven<\/strong><br>Piano sonatas op. 2 n. 3, op. 27. n. 2, op. 31 n. 1, op. 53, op. 111<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Berio<\/strong><br>Six Encores, Sequenza IV<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Boulez<\/strong><br>Douze notazions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bussotti<\/strong><br>Musica per amici<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chopin<\/strong><br>Etudes op. 10 no. 3-4-5-6-7 | op. 25 no. 1-11-12<br>Scherzo n. 2<br>Ballade n. 2<br>Nocturnes op. 9 n. 1, op. 48 n. 1, op. 55 n. 1<br>Berceuse op. 57<br>Polonaise op. 40 n. 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Debussy<\/strong><br>Preludes, book I<br>Images, book I<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Khachaturian<\/strong><br>Piano Sonatina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Liszt<\/strong><br>Jeux d\u2019eau \u00e0 Villa d\u2019Este<br>Sunt lacrymae rerum<br>Chapelle du Guillaume Tell<br>M\u00e9phisto Valse no. 1<br>Hungarian Rhapsody no. 12<br>Transcendental \u00e9tude no. 7<br>Paganini \u00e9tude no. 6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ligeti<\/strong><br>Musica ricercata<br>Etud\u00e8s no. 5, 13<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Messiaen<\/strong><br>Ile de feu no. 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Molinari<\/strong><br>Complete Piano works<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mozart<\/strong><br>Fantasy K 475<br>Piano sonata k 545<br>Variations on \u201csalve tu domine\u201d k 398<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prokofiev<\/strong><br>Visions Fugitives op. 22<br>Suggestion Diabolique op. 4 no. 4<br>Piano Sonatas no. 2, no. 7<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rachmaninov<\/strong><br>Preludes op. 3 no. 2, op. 32 no. 10<br>Etude tabeaux op. 39 n. 1<br>Elegiy op. 3 n. 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ravel<\/strong><br>Gaspard de la Nuit<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Scarlatti<\/strong><br>10 Keyboard Sonatas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Schubert<\/strong><br>\u201cValses nobles\u201d d. 969<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Schumann<\/strong><br>\u201cCarnaval\u201d op. 9<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bach-Siloti<\/strong><br>Prelude in b minor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vecchiato<\/strong><br>Complete Piano works<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Wolf-Ferrari<\/strong><br>Three piano pieces op. 14<\/p>\n\n<\/div><\/div>\n    <\/div>\n\n\n<\/div>\n\n\t\t\n\n<div id=\"accordion-block_62026c470e555\" class=\"block-accordion row\">\n    <h2 id=\"headingaccordion-block_62026c470e555\">\n      <button class=\"button-accordion collapsed\" type=\"button\" data-target=\"#collapseaccordion-block_62026c470e555\">\n\t  Chamber Music      <\/button>\n    <\/h2>\n    <div id=\"collapseaccordion-block_62026c470e555\" class=\"collapse content-collapse\">\n\t\t<div class=\"innerBlock\"><div class=\"acf-innerblocks-container\">\n\n<p class=\"wp-block-paragraph\"><strong>Brahms<\/strong><br>Cello Sonata n. 1 op. 38<br>Horn trio op. 40<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Franck<\/strong><br>Violin sonata<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Faur\u00e8<\/strong><br>Elegy for cello and piano<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perosi<\/strong><br>Piano Quintets (complete)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prokofiev<\/strong><br>Flute sonata op. 94<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Wolf Ferrari<\/strong><br>Piano quintet op. 9<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Wagner<\/strong><br>Sygfried Idyl (quintet)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n    <\/div>\n\n\n<\/div>\n\n\t\t\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":19,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-422","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/pages\/422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/comments?post=422"}],"version-history":[{"count":15,"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/pages\/422\/revisions"}],"predecessor-version":[{"id":684,"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/pages\/422\/revisions\/684"}],"wp:attachment":[{"href":"https:\/\/www.matteo-bevilacqua.it\/en\/wp-json\/wp\/v2\/media?parent=422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}